a5c7b9f00b When an old enemy, the Cylons, resurface and obliterate the 12 colonies, the crew of the aged Galactica protect a small civilian fleet - the last of humanity - as they journey toward the fabled 13th colony, Earth. The second war against the Cylons is over, and The Twelve Colonies have been destroyed. Now Commander Adama of the Battlestar Galatica and President Laura Roslin lead a ragtag fleet of refugees in a supposed search for the fabled lost thirteenth colony, Earth. However, the dangers they face are many, which compound an already difficult situation. In addition to the Cylons hunting and attacking the fleet in space and their infiltrator units carrying out sabotage--even as their former unwitting pawn, Gaius Baltar, helps in the hunt for them while hiding both his own guilt and the strange presence that haunts his every thought--the fleet also faces internal political conflict in which the rabble-rousing figure Tom Zarek is merely the loudest dissenting voice, not to mention recurring shortages of food, water, and even oxygen. In the midst of these trials, however, clues begin to appear to suggest that Adama's bluff about finding Earth might hold more truth than anyone could have guessed. SciFi Channel claims they're spending oodles of money on the new BG.<br/><br/>My question is "where is it going?" Because it certainly is not on screen.<br/><br/>Ronald D. Moore uses every contrivance to make the show as cheap as it possibly can be, something that would be entirely forgivable if not for the promotion claiming that SciFi is spending a lot of money and that it's a "flagship" show.<br/><br/>Also annoying are the comments from Moore and his Shill Squad that you have to have an "open mind" to appreciate the new BG.<br/><br/>But really... what is there to appreciate? Bad video imagery. A camera that shakes constantly for no purpose other than try and hide how cheap everything looks? A young cast made up of "actors" who can't act and have nothing in their eyes? The real question is "what is wrong with SciFi that it feels it must keep this loser on the air?" It's not the ratings. They're deplorable given the advertising given to the show.<br/><br/>Whose fat and cushy job is being spared by pretending this is a beloved show (it's obviously not) that captivates big audiences (that don't show up on the ratings)? This is a "gritty reboot" of Glen Larsen's 1978 series of the same name. It has its flaws, but for the most part is very good and often exceptional.<br/><br/>One of the rules in writing drama is conflict. But they overdid it here. We see this worst in Season Three where everyone is arguing with everyone. No one likes their partners and no one likes each other. With no redeeming features, the audience had no one to root for. Season three aside, most characterizations were good and all were flawed in some way. That's what makes them if not lovable then compelling. Apollo and Starbuck though were too flawed and I never liked them (though I didn't *hate* them either).<br/><br/>You need conflict, but you also need love to bind the characters together. My favorite line is in the second season where Apollo asks his estranged father if he would abandon a search if he was shot down. Replies Adama: "Do you really have to ask that? If it was you, we'd never leave." The writers later forgot this: Conflict needs to be balanced by Love.<br/><br/>Everything is a bit too American military for my taste. "Call the Ball". "CAG". "Marines". Given this supposedly happened thousands of years ago, why is everything so very American? Perhaps it cut down production costs. It might have also broadened the appeal of the series to young guys who don't care much for scifi, but do love the American military. The original Battlestar Galactica invented a new culture with new words for everything. It was accurate, but perhaps risked alienating the mainstream viewers.<br/><br/>I got sick of the cigarette placement.<br/><br/>The Series was written on the fly. That was unfortunate because a lot of major plot developments didn't make sense. Consider the decision to made Chief Tyrol a Cylon sleeper agent. Nice twist, but Cylons don't have babies so we had to throw his wife Callie out an airlock and then have him abandon his son because Callie had an affair. Sweet Callie? No Way! It didn't make sense, and fathers don't abandon sons they have raised. At least not decent ones like Chief Tyrol.<br/><br/>I didn't like the infanticide on the first episode. There are some places a film maker shouldn't go.<br/><br/>There were many on-the-fly story revisions which didn't make sense. Attempts to tidy up the loose ends made them worse. There were many Deus ex Machina plot devices: Anything they couldn't explain was because of God. Some arcs went nowhere. It was a cool that Boomer and the Cylons chased the humans so they could teach them God. But having found them on New Caprica, they enslaved them and didn't teach them religion at all. What was all that about? <br/><br/>In Seasons 2 and 3 there were far too many "filler" episodes where nothing much happened. Here the show started to get pretty boring.<br/><br/>I loved the fact they ended the show after four seasons. They didn't drag it on forever as so many series do. It had a natural ending. The end episode was good, though someone should point out to the producers that if Hera was "Mitochondrial Eve" then every other woman colonist and their bloodlines must have been wiped out. Also in the Epilogue they described her as a young woman found dead with her parents. That means Hera, Athena and Helo didn't live happy ever after. A bummer to end on.<br/><br/>Faults and filler episodes aside, I loved BG and was sad when it was finally over.<br/><br/>The changes on the original series were exceptional. That the Cylons were robots invented by humans which rebelled when they found God was very clever. James Callis' Baltar was brilliant, and playing him as a sympathetic villain was a nice touch. When he started his own cult and started to look like Jesus that was very funny, though out-of-character. Edward James Olmos was a great Adama: His gravelly voice and scarred warrior's face project authority. I'd follow him into battle! Mary MacDonald was a great President: conflicted and overreaching for power, but at heart a good person. To me they were the two stars of the show. The best place to end the final episode was with Bill Adama sitting by Rosalin's grave, telling her where he would build their cabin. That really hit home for me.<br/><br/>Grace Park did a great job in her many roles. There are really too many actors and characters to mention here, but they were all well acted and I liked them all. Even the bad ones. And I've only really scratched the surface: I haven't talked out the stories, production design or the space battles. There is so much good stuff here I can't even describe it all! That should tell you something! <br/><br/>There was criticism of BG for racism. I don't think this is justified. The original series had two black characters in major roles, but the reboot only had one in a minor role. But the reboot introduced many other ethnicities. It's the most multiracial scifi I have ever seen. It would have been good to have left Colonel Tigh black I guess, but Michael Hogan did a brilliant job and he was after all reporting to a Hispanic captain.<br/><br/>I'd give it 7 / 10 because I'm giving it 10 / 10 because it's exceptional, then taking three points off for its many flaws. I add one because that seems too low, then take it off anyway because of the prominent cigarette placement. I recommend BG to any fan of Scifi. It had many faults, but the exceptional parts make it well and truly worth watching. Yes, although it's producers call it a "reimagined" series, due to some slight differences. A battlestar is a very lage spaceship, kind of a cross between a battleship and an aircraft carrier. Cylons are humanoid robots created by mankind as servants and laborers. Eventually, they rebelled and declared war on their human masters. Miniseries - This 3 hour miniseries acts as a pilot for the weekly series and introduces the characters and situations.<br/><br/>Season 1 - Contains 13 episodes.<br/><br/>Season 2 - Contains 20 episodes.<br/><br/>Season 3 - Contains 20 episodes.<br/><br/>Battlestar Galactica: Razor - This 2 hour TV movie ( officially the first two episodes of Season 4 ) takes place during Season 2, with flashbacks to the miniseries and earlier, but should be viewed here.<br/><br/>Season 4, Part 1 - Contains 10 episodes ( also known as "Season 4.0" on DVD ).<br/><br/>Season 4, Part 2 - Contains 10 episodes ( also titled "Season 4.5" or "The Final Season" on DVD )<br/><br/>Battlestar Galactica : The Plan - This is a post-series prequel TV movie which depicted selected events of the miniseries and series from the Cylons point of view.<br/><br/>There are also two spin-off prequels:<br/><br/>Caprica - A 19 episode prequel series set 58 years before the events of Battlestar Galactica. The series deals with the creation of the Cylons, and stars Eric Stoltz as Daniel Greystone, creator of the Cylons, and Esai Morales as Joseph Adama, father of Battlestar's William Adama. Released on DVD ( and Blu-ray in certain territories ).<br/><br/>Battlestar Galactica : Blood & Chrome - A 2 hour prequel movie that is set during the first Cylon War, 40 years before the events of Battlestar Galactica and around 18 years after Caprica. The story follows a young William Adama ( future commander of the Galactica ) as a new recruit in the Colonial Fleet, and shows his first experience of battling the Cylons. Released on DVD and Blu-ray. Yes, the miniseries acts as a pilot, and sets up all of the events, characters, and themes of the series. If you start with episode S01E01, you will be very confused!
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Updated: Dec 9, 2020